iAM/iCAN CJ Redux

sky.(selectionS+).32

iAM/iCAN is a multimedia documentary shot in Austin, Texas in 1994. It featured tagged/searchable video embedded into a raster graphic interface. Five subjects discussed gender, race, nascent-on-line culture, technology, hopes and dreams for the future. Given the technical constraints of the time, this meant 4:3 aspect video compressed to a rather severe 160 x 160 pixels, so that streaming off of a state-of-the-art 2x cd-rom player was feasible. Video was shot by Shane Herman, and edited with Premiere. An interface was coded in Director. We called it New Media but didn’t really even understand the Old Medias.

background(james)

Years later, the video is small and grainy and the interface elements seem rather small, but still pretty. The audio is still quite powerful. The interface doesn’t work anymore but the individual graphic elements can be clicked on and the original files are still valid. Still holding interest: the audio, the actual interviews.

Here are all the interviews with CJ Manetta-Romano, who has fearlessly given permission to share his commentary from 1994.


Politics, Working Together, Unity


Interactive Entertainment, Technology as Adult Toys


Internet Culture


Was Intimidated by Technology


Future Interactive Education


Gender Generation Gap


Gender Stereotypes and Rave Flyers


Anarchy, Raves as Free Space


Future Raves, After Raves

iAM/iCAN Steve Redux

sky.(selectionS+).32

iAM/iCAN is a multimedia documentary shot in Austin, Texas in 1994. It featured tagged/searchable video embedded into a raster graphic interface. Five subjects discussed gender, race, nascent-on-line culture, technology, hopes and dreams for the future. Given the technical constraints of the time, this meant 4:3 aspect video compressed to a rather severe 160 x 160 pixels, so that streaming off of a state-of-the-art 2x cd-rom player was feasible. Video was shot by Shane Herman, and edited with Premiere. An interface was coded in Director. We called it New Media but didn’t really even understand the Old Medias.

background(james)

Years later, the video is small and grainy and the interface elements seem rather small, but still pretty. The audio is still quite powerful. The interface doesn’t work anymore but the individual graphic elements can be clicked on and the original files are still valid. Still holding interest: the audio, the actual interviews.

Here are all the interviews with Steve Wechsler, who has fearlessly given permission to share his commentary from 1994.


Components of Activism


Empathy Leads to Unity


Future Vision


Entertainment Is Passive


Commodity Culture


Anonymity of Cyberspace Manifests in Rave


Lossy Communication


Internet Culture, Email Lists, Online Education

iAM/iCAN Brandon Redux

sky.(selectionS+).32

iAM/iCAN is a multimedia documentary shot in Austin, Texas in 1994. It featured tagged/searchable video embedded into a raster graphic interface. Five subjects discussed gender, race, nascent-on-line culture, technology, hopes and dreams for the future. Given the technical constraints of the time, this meant 4:3 aspect video compressed to a rather severe 160 x 160 pixels, so that streaming off of a state-of-the-art 2x cd-rom player was feasible. Video was shot by Shane Herman, and edited with Premiere. An interface was coded in Director. We called it New Media but didn’t really even understand the Old Medias.

background(brandon)

Years later, the video is small and grainy and the interface elements seem rather small, but still pretty. The audio is still quite powerful. The interface doesn’t work anymore but the individual graphic elements can be clicked on and the original files are still valid. Still holding interest: the audio, the actual interviews.

Here are all the interviews with Brandon Rogeness, who has fearlessly given permission to share his commentary from 1994.


Government and Politics


Generation Mine


Multicultural Background, Black and Latin Histories


Minority and Majority Rights


Conflict Resolution


Aggression and Violence


Hacking, Chaos


Limitations of CD-ROM medium


My Computer Interface


Computer Use and Abuse


Kids and Cats

iAM/iCAN James Redux

sky.(selectionS+).32

iAM/iCAN is a multimedia documentary shot in Austin, Texas in 1994. It featured tagged/searchable video embedded into a raster graphic interface. Five subjects discussed gender, race, nascent-on-line culture, technology, hopes and dreams for the future. Given the technical constraints of the time, this meant 4:3 aspect video compressed to a rather severe 160 x 160 pixels, so that streaming off of a state-of-the-art 2x cd-rom player was feasible. Video was shot by Shane Herman, and edited with Premiere. An interface was coded in Director. We called it New Media but didn’t really even understand the Old Medias.

background(james)

Years later, the video is small and grainy and the interface elements seem rather small, but still pretty. The audio is still quite powerful. The interface doesn’t work anymore but the individual graphic elements can be clicked on and the original files are still valid. Still holding interest: the audio, the actual interviews.

Here are all the interviews with James Edward Neal, who has fearlessly given permission to share his commentary from 1994.


Conflict Resolution


Minorities in the System


Political Activity


Hopes for Internet


Prejudice Online


Multicultural Background


Multicultural Education


Extended Families


My Own Computer


Kids


Thanks

Wishful Reading: Art as Art, Electronic Media, Theory, Generatif

Step One: Invent time machine with comfortable reading situation.
Step Two: Acquire the following.

Art and Electronic Media

Walter Benjamin, Art in the Age of Mechanical Reproduction

Walter Benjamin, The Arcades Project

Marshall McLuhan and Quentin Fiore, The Medium is the Massage, 1967

Edward Shanken, Art and Electronic Media, Phaidon, 2009

Edward Shanken, Art and Electronic Media Online Companion, 2013

Lev Manovich, Software Takes Command, 2008-2013

Lev Manovich, Soft Cinema, 2002-2005

Lev Manovich, The Language of New Media, 2001

New Media Art, Mark Tribe, 2006

New Media: A Critical Introduction, 2nd Edition, 2009, Martin Lister

Domenico Quaranta, In Your Computer, 2011

Domenico Quaranta, Beyond New Media Art, 2013

Domenico Quaranta, The F.A.T. Manual, 2013

Expanded Internet Art and Information Milieu, Cici Moss, Rhizome, 2013-12-19

Curating in the Time of Algorithms, Christian Nagler and Joseph del Pesco, Fillip, Issue 15, 2011

Links

Preparation readings from DMA, UCLA and BCNM, UCB

Generative

Design By Numbers, John Maeda

Computational Information Design, Ben Fry, 2004, Dissertation, MIT

Form+Code In Design, Art, and Architecture, Casey Reas, Chandler McWilliams

Generative Design; Visualize, Program, and Create with Processing, Hartmut Bohnacker, Benedikt Grob, Julia Laub, 2012

Visual Grammar, Christian Leborg, 2004

Carsten Nicolai, Fades

Carsten Nicolai, Static Fades

Carsten Nicolai, Moire Index

Grapefruit, Yoko Ono, 1964, 1971

Acorn, Yoko Ono, 2013

Examples

Earth Wind Interactive Graphic

FlowingData

Inkjet is the New Black Painting

Scott Rothkopf discussing Wade Guyton’s eight-panel painting Untitled (2008), 2013-01-11, WhitneyFocus on YouTube

Andrew Fisher and Christine S. Kim discuss Wade Guyton’s painting, 2013-02-28, WhiteneyFocus on YouTube.

“James Kalm” aka Loren Munk on video walkthrough of Wade Guyton’s OS show at the Whitney Museum, 2012-10-05.

Visual Culture, Aesthetics, Perception

James Turrell: A Retrospective, Michael Govan, Christine Y. Kim, Prestel, 2013

Emblemata, James Turrell, 2000, Segura Publishing Company, Tempe, AZ

Emblemata Sacra: Spe, Fide, Charitate, Guilelmus Hesius, 1636

Heraldry Symbols and Meanings, ThemesAchievement Elements, Animal Attitude, List of Heraldic Charges, Variations of the Field, Heraldic Phantasy Creatures

Light and the Artist, Thomas Wilfred, The Journal of Aesthetics and Art Criticism, June 1947

Marcel Minnaert, Light and Color in the Outdoors, 1995, ISBN 0387979352

Marcel Minnaert, Light and Color in the Open Air, 1954

Maurice Merleau-Ponty, Phenomenology of Perception, 2013, ISBN 1045834333

James J. Gibson, The Ecological Approach to Visual Perception, 1986, ISBN 0898599598

James J. Gibson, The Senses Considered as Perceptual Systems, 1966

ABC Art, Barbara Rose, October 1965, Art in America

Art and Objecthood, Michael Fried, Artforum, Summer 1967

Robert Morris, Notes on Sculpture, Part 3, Artforum, Summer 1967

Rudolf Arnheim, A Plea for Visual Thinking, Critical Inquiry, Vol. 6, No. 3 (Spring, 1980), pp. 489-497

Rudolf Arnheim, The Power of the Center, 1988

Rudolf Arnheim, New Essays on the Psychology of Art, 1986. Esp. “The Double-edged Mind: Intuition and the Intellect”, “The Tools of Art-Old and New”, “Emotion and Feeling in Psychology and Art”

Agnes Martin:Writings, Agnes Martin, 2005, ISBN 3775716114

Agnes Martin: Paintings, Writings, Remembrances, Arne Glimcher, 2012, ISBN 3775716114

Hal Foster, Vision and Visuality, 1988, Dia Art Foundation

Free is the Only Option

The GNU Manifesto, Richard Stallman, 1985-2014

Guerilla Open Access Manifesto, Aaron Swartz, 2008

Copy Culture in the US and Germany, 2013, ISBN 978-1481985925

Piracy is the Future of Television, Abigail De Kosnik, Convergence Culture Consortium, 2010

Online Piracy And China’s American TV Drama Fanatics, Ousha Yang, Disintermediators, 2013-05-01

In Praise of Copying, Marcus Boon, 2010, ISBN 978-0-674-04783-9

Peter Lunenfeld, The Secret War Between Downloading and Uploading, 2011, MIT Press

Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report, A Report to the College Art Association, February 2014

Pew Internet Libraries, Pew Internet & American Life Project. See: The Rise of E-Reading, 2012. E-Reading Rises as Device Ownership Jumps, 2014.  Reading Habits in Different Communities, 2012. Library Services in the Digital Age, 2013. From Distant Admirers to Library Lovers and Beyond: A typology of public library engagement in America, 2014

Simon Parkin, The $5.7 Million Magazine Illustration, The New Yorker, 2014-02-20

Randy Kennedy, Richard Prince Settles Copyright Suit With Patrick Cariou Over Photographs, NYT, 2014-03-18

Randy Kennedy, Court Rules in Artist’s Favor, NYT, 2013-04-13

Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner, Jeffrey Schnapp, Digital Humanities, 2012, MIT Press

Virtueel Platform Research: Born-Digital Kunstwerken In Nederland, English summary and recommendations, 2012 Project Conservation Media Art Collection, Netherlands.

Institutional Critique, Commodity Fetishism

Institutional Critique: An Anthology of Artists’ Writings, Alexander Alberro and Blake Stimson, 2009, MIT Press

Thoughts on Art Education, Rudolf Arnheim, 1990

Alternatives, Coco Fusco, Brooklyn Rail, Feb 5, 2013

Race in the Land of MFA, Alex Gallo-Brown, May 28, 2013

Art Schools: A Group Crit, AIA, 2007

An Artist’s Education, Thomas Lawson, The Core Program, catalogue, Museum of Fine Arts, Houston, 2008

9.5 Theses on Art and Class, Ben Davis, 2013

After Art, David Joselit, 2013, ISBN 978-0-691-15044-4

What Is a Warhol? The Buried Evidence, Richard Dorment, NYT, June 20, 2013

Red Obsession: The vintage of the century in the year of the Dragon, 2012

The Global Contemporary and the Rise of New Art Worlds, Hans Belting/Andrea Buddensieg/Peter Weibel, 2013, MIT , ISBN 0262518341

Michael H. Miller, Ways Forward: What’s Next for the Dia Art Foundation?, 2014-02-04, galleristny

Michael H. Miller, Philippe Goes to Hollywood: With Vergne In Place as New Director, L.A. MOCA Looks to the Future, 2014-02-05, galleristny

Visual Forms of Gentrification vs. Ruin

Rosalyn Deutsche, Evictions: Art and Spatial Politics, 1996, MIT press

The Fine Art of Gentrification, Rosalyn Deutsche and Cara Gendel Ryan, October, Vol. 31, Winter 1984

Rebecca Solnit, Get Off the Bus, London Review of Books, Feb 20, 2014.

Kim Velsey, It’s Not About Yuppies Anymore: Gentrification Has Changed and So Has New York, New York Observer, 2014-02-06.

How to Write About Tax Havens and the Super-Rich: An Interview with Nicholas Shaxson, Longreads, The Atlantic, 2014

Andy Rachleff, You Need Equity To Live In Silicon Valley,May 22 2013

Mission 20th Street Neighborhood Group, various email correspondence

The Embedded Landscape of Gentrification, Jason Patch, Visual Studies, October, Vol. 19, No. 2, 2004

Residues of a Dream World: The High Line, 2011, Michael Cataldi, David Kelley, Hans Kuzmich, Jens Maier-Rothe and Jeannine Tang, Theory Culture Society, 2011