Wishful Reading: Art as Art, Electronic Media, Theory, Generatif

Step One: Invent time machine with comfortable reading situation.
Step Two: Acquire the following.

Art and Electronic Media

Walter Benjamin, Art in the Age of Mechanical Reproduction

Walter Benjamin, The Arcades Project

Marshall McLuhan and Quentin Fiore, The Medium is the Massage, 1967

Edward Shanken, Art and Electronic Media, Phaidon, 2009

Edward Shanken, Art and Electronic Media Online Companion, 2013

Lev Manovich, Software Takes Command, 2008-2013

Lev Manovich, Soft Cinema, 2002-2005

Lev Manovich, The Language of New Media, 2001

New Media Art, Mark Tribe, 2006

New Media: A Critical Introduction, 2nd Edition, 2009, Martin Lister

Domenico Quaranta, In Your Computer, 2011

Domenico Quaranta, Beyond New Media Art, 2013

Domenico Quaranta, The F.A.T. Manual, 2013

Expanded Internet Art and Information Milieu, Cici Moss, Rhizome, 2013-12-19

Curating in the Time of Algorithms, Christian Nagler and Joseph del Pesco, Fillip, Issue 15, 2011

Links

Preparation readings from DMA, UCLA and BCNM, UCB

Generative

Design By Numbers, John Maeda

Computational Information Design, Ben Fry, 2004, Dissertation, MIT

Form+Code In Design, Art, and Architecture, Casey Reas, Chandler McWilliams

Generative Design; Visualize, Program, and Create with Processing, Hartmut Bohnacker, Benedikt Grob, Julia Laub, 2012

Visual Grammar, Christian Leborg, 2004

Carsten Nicolai, Fades

Carsten Nicolai, Static Fades

Carsten Nicolai, Moire Index

Grapefruit, Yoko Ono, 1964, 1971

Acorn, Yoko Ono, 2013

Examples

Earth Wind Interactive Graphic

FlowingData

Inkjet is the New Black Painting

Scott Rothkopf discussing Wade Guyton’s eight-panel painting Untitled (2008), 2013-01-11, WhitneyFocus on YouTube

Andrew Fisher and Christine S. Kim discuss Wade Guyton’s painting, 2013-02-28, WhiteneyFocus on YouTube.

“James Kalm” aka Loren Munk on video walkthrough of Wade Guyton’s OS show at the Whitney Museum, 2012-10-05.

Visual Culture, Aesthetics, Perception

James Turrell: A Retrospective, Michael Govan, Christine Y. Kim, Prestel, 2013

Emblemata, James Turrell, 2000, Segura Publishing Company, Tempe, AZ

Emblemata Sacra: Spe, Fide, Charitate, Guilelmus Hesius, 1636

Heraldry Symbols and Meanings, ThemesAchievement Elements, Animal Attitude, List of Heraldic Charges, Variations of the Field, Heraldic Phantasy Creatures

Light and the Artist, Thomas Wilfred, The Journal of Aesthetics and Art Criticism, June 1947

Marcel Minnaert, Light and Color in the Outdoors, 1995, ISBN 0387979352

Marcel Minnaert, Light and Color in the Open Air, 1954

Maurice Merleau-Ponty, Phenomenology of Perception, 2013, ISBN 1045834333

James J. Gibson, The Ecological Approach to Visual Perception, 1986, ISBN 0898599598

James J. Gibson, The Senses Considered as Perceptual Systems, 1966

ABC Art, Barbara Rose, October 1965, Art in America

Art and Objecthood, Michael Fried, Artforum, Summer 1967

Robert Morris, Notes on Sculpture, Part 3, Artforum, Summer 1967

Rudolf Arnheim, A Plea for Visual Thinking, Critical Inquiry, Vol. 6, No. 3 (Spring, 1980), pp. 489-497

Rudolf Arnheim, The Power of the Center, 1988

Rudolf Arnheim, New Essays on the Psychology of Art, 1986. Esp. “The Double-edged Mind: Intuition and the Intellect”, “The Tools of Art-Old and New”, “Emotion and Feeling in Psychology and Art”

Agnes Martin:Writings, Agnes Martin, 2005, ISBN 3775716114

Agnes Martin: Paintings, Writings, Remembrances, Arne Glimcher, 2012, ISBN 3775716114

Hal Foster, Vision and Visuality, 1988, Dia Art Foundation

Free is the Only Option

The GNU Manifesto, Richard Stallman, 1985-2014

Guerilla Open Access Manifesto, Aaron Swartz, 2008

Copy Culture in the US and Germany, 2013, ISBN 978-1481985925

Piracy is the Future of Television, Abigail De Kosnik, Convergence Culture Consortium, 2010

Online Piracy And China’s American TV Drama Fanatics, Ousha Yang, Disintermediators, 2013-05-01

In Praise of Copying, Marcus Boon, 2010, ISBN 978-0-674-04783-9

Peter Lunenfeld, The Secret War Between Downloading and Uploading, 2011, MIT Press

Copyright, Permissions, and Fair Use among Visual Artists and the Academic and Museum Visual Arts Communities: An Issues Report, A Report to the College Art Association, February 2014

Pew Internet Libraries, Pew Internet & American Life Project. See: The Rise of E-Reading, 2012. E-Reading Rises as Device Ownership Jumps, 2014.  Reading Habits in Different Communities, 2012. Library Services in the Digital Age, 2013. From Distant Admirers to Library Lovers and Beyond: A typology of public library engagement in America, 2014

Simon Parkin, The $5.7 Million Magazine Illustration, The New Yorker, 2014-02-20

Randy Kennedy, Richard Prince Settles Copyright Suit With Patrick Cariou Over Photographs, NYT, 2014-03-18

Randy Kennedy, Court Rules in Artist’s Favor, NYT, 2013-04-13

Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todd Presner, Jeffrey Schnapp, Digital Humanities, 2012, MIT Press

Virtueel Platform Research: Born-Digital Kunstwerken In Nederland, English summary and recommendations, 2012 Project Conservation Media Art Collection, Netherlands.

Institutional Critique, Commodity Fetishism

Institutional Critique: An Anthology of Artists’ Writings, Alexander Alberro and Blake Stimson, 2009, MIT Press

Thoughts on Art Education, Rudolf Arnheim, 1990

Alternatives, Coco Fusco, Brooklyn Rail, Feb 5, 2013

Race in the Land of MFA, Alex Gallo-Brown, May 28, 2013

Art Schools: A Group Crit, AIA, 2007

An Artist’s Education, Thomas Lawson, The Core Program, catalogue, Museum of Fine Arts, Houston, 2008

9.5 Theses on Art and Class, Ben Davis, 2013

After Art, David Joselit, 2013, ISBN 978-0-691-15044-4

What Is a Warhol? The Buried Evidence, Richard Dorment, NYT, June 20, 2013

Red Obsession: The vintage of the century in the year of the Dragon, 2012

The Global Contemporary and the Rise of New Art Worlds, Hans Belting/Andrea Buddensieg/Peter Weibel, 2013, MIT , ISBN 0262518341

Michael H. Miller, Ways Forward: What’s Next for the Dia Art Foundation?, 2014-02-04, galleristny

Michael H. Miller, Philippe Goes to Hollywood: With Vergne In Place as New Director, L.A. MOCA Looks to the Future, 2014-02-05, galleristny

Visual Forms of Gentrification vs. Ruin

Rosalyn Deutsche, Evictions: Art and Spatial Politics, 1996, MIT press

The Fine Art of Gentrification, Rosalyn Deutsche and Cara Gendel Ryan, October, Vol. 31, Winter 1984

Rebecca Solnit, Get Off the Bus, London Review of Books, Feb 20, 2014.

Kim Velsey, It’s Not About Yuppies Anymore: Gentrification Has Changed and So Has New York, New York Observer, 2014-02-06.

How to Write About Tax Havens and the Super-Rich: An Interview with Nicholas Shaxson, Longreads, The Atlantic, 2014

Andy Rachleff, You Need Equity To Live In Silicon Valley,May 22 2013

Mission 20th Street Neighborhood Group, various email correspondence

The Embedded Landscape of Gentrification, Jason Patch, Visual Studies, October, Vol. 19, No. 2, 2004

Residues of a Dream World: The High Line, 2011, Michael Cataldi, David Kelley, Hans Kuzmich, Jens Maier-Rothe and Jeannine Tang, Theory Culture Society, 2011

Epson 3880 vs. [high resolution, large format] linux printing

aka “How I Drive Myself and Those Around me Mad for at least a Week”

Expected: some bitching and moaning along with details of the development of a new high-resolution printing workstation configuration that will serve as a baseline reference for high, super-high, ultra-high, barely-even-atmospheric-high resolution inkjet prints.

Some notes on my old configuration, named “chula” configuration.

Details for chula configuration:

Hardware is Epson Stylus Photo R2400, circa 2006. Print heads now shot.
This printer is no longer capable of making good prints, and is not coming back. Minus some new voodoo rituals, and regardless of wasted pints of ink on flawed prints or hoping one more nozzle cleaning might make non-streaky prints a reality once more. Keeping this printer around for various sentimental reasons, and vaguely plan for future hacking fun with custom inks.

Software base is Fedora 13 and 14, using

freetype

freetype-freeworld

kmod-nvidia

gutenprint-5.2.6

gutenprint-foomatic

openprinting-gutenprint

ghostscript

cups-1.4.4

The default driver is the “gutenprint/cups” one. A higher-performance driver is available via the “openprinting-foomatic” driver. Use this driver for all prints.

PPD is hand-hacked and included custom paper sizes for 13 x 38″ prints, and frankly some other things that I cannot quite remember at this later date.

Notable projects include Gone Awry, Marfa Project, photogravure printing for Conceptual Forms, Pirate Passport Projects, High Line.

Details for ulloa configuration:

Hardware is Epson Stylus Pro 3880. Inks are 9-color Epson UltraChrome K3™ with Vivid Magenta. See Stylus Pro Series on the “Professional Imaging” part of Epson website.

Software base is Fedora 18TC9, using

freetype

freetype-freeworld

gutenprint-5.2.9

gutenprint-cups

ghostscript-9.05

ghostscript-cups

cups-1.5.4

cups-ipptool

epson-inkjet-printer-escpr

Software config:

0) Printer config via either “System Settings/Printers” or via the CUPS standby, http://localhost:631. In most all cases, the direct CUPS configuration is better as it allows full control of the print driver options and also shows correct status for in-progress print jobs. Your mileage may vary.

1) firewall-config needs to have: ipp, ipp-client, smb-client, mdns holes for network discovery to work. Note, ipp based discovery may be turned off at the server level and may need to be manually changed via CUPs server changes below.

2) nvidia kernel boot config needs: vga=normal, nouveau.modset=0 rd.driver.blacklist=nouveau video=vesa:off

Cups notes:

EPCL == Epson Printer Control Language.

epson-inkjet-printer-escpr

has a high-resolution rastertoepson binary, something similar is in the Apple PPD.

Web-ui for CUPS configuration is:

http://localhost:631

Set rip memory setting to 1Gb via:

RIPCache 1g
Set ipp discovery via:

?

Useful files and or directories:

/usr/lib/cups/filter/epson-escpr

/usr/lib/cups/filter/rastertoepson

/user/share/cups/model/*.ppd

/usr/share/cups/model/foomatic-db-ppds/Epson/eplp*.ppd.gz

/var/log/cups/error_log

Linkages between CUPS print queues and the printer description files (PPD).

/etc/cups/ppd/*.ppd

Useful linux cups debugging page for Debian: DebuggingPrintingProblems.

Useful linux cups debugging page for Fedora: Printing and HowToDebugPrintingProblems.

PPD/Driver notes

Apple PPD:

Supported via official Epson driver.

FormatVersion/FileVersion: 4.3/8.64.

*cupsFilter: “application/vnd.cups-raster 0 /Library/Printers/EPSON/InkjetPrinter2/Filter/rastertoescpII.app/Contents/MacOS/rastertoescpII”
*cupsPreFilter: “application/pdf 33 /Library/Printers/EPSON/InkjetPrinter2/Filter/pdftopdf2.app/Contents/MacOS/pdftopdf2”

*% Quality ===================
**EPIJ_Qual 42/Draft – 180 dpi: “”
*EPIJ_Qual 31/Draft – 360 dpi: “”
*EPIJ_Qual 33/Fine – 720 dpi: “”
*EPIJ_Qual 35/SuperFine – 1440 dpi: “”
*EPIJ_Qual 38/SuperPhoto – 2880 dpi: “”

*APDialogExtension: “/Library/Printers/EPSON/InkjetPrinter2/PDE/PDECPlugin01.plugin”

*cupsFilter: “application/vnd.cups-command 0 /Library/Printers/EPSON/InkjetPrinter2/Filter/commandtoescp.app/Contents/MacOS/commandtoescp”

Windows 7 PPD exists but seems like the Apple/Mac one is a more interesting basis for comparison for linux, as both linux and macos use CUPS.

Linux PPD:

a.) Gutenprint + CUPS.

*cupsFilter:    “application/vnd.cups-raster 100 rastertogutenprint.5.2”
*cupsFilter:    “application/vnd.cups-command 33 commandtoepson”

Be warned: this driver cannot render high resolution output correctly.
See test prints below:

Example one.

Example two.

For both of these testprint comparisons, the left side is a reference print and the right side is the linux-hosted gutenprint-driven print. Many issues, some highlighted in orange sharpie. At issue: line weights are off and indicate lower-res or rasterization issues, as a result all type line weights off, problems with rendering transparency, trouble with fades, etc. All this with no magnification/loop.
Result: fail.

b.) Epson driver for older model, the Epson Stylus Pro 3800. This has official “unsupported” drivers, via this page. Use “3800” and “linux” in the search boxes, respectively.

This leads to the direct download page.

c.) Epson driver for a related slightly-less ancient model, the Epson Stylus Pro 4880.

See Avaysys drivers, even though transitioned to Seiko these are still the best best for high-resolution large format devices. By “large format devices,” mean Epson USA

Look for “Epson Inkjet Printer Driver for linux (ESC/P). Although no 3880 drivers, have a couple of options. These other Stylus Pro printers have similar ink technology: 4880, 7890, 9890. So,  take 4880 drivers as a base and hack to 3880. Get the srpm and install, before editing.

Manual for Linux Driver.

d.) Openprinting driver for Epson 3880. Upstream Gutenprint project. According to this web page, the correct driver for the epson stylus pro 3880 is:

Epson Stylus Pro 3880 escp2-3880

but package “gutenprint” has this via ‘rpm -ql gutenprint’

/usr/share/gutenprint/5.2/xml/escp2/media/pro3880_ultrachrome_k3v.xml

Anyway. the openprinting rpm that is downloaded from above.

Fedora/RHEL notes

Following via bugzilla:

832130 cups-filters

719390 f15 vs. large-format and high-resolution printing